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Wednesday, March 30, 2005
Posted by Daniel Frank at
2:15 PM
April 4th allows me to answer a couple of my brother's questions from his original comment. And how is that I'm 36, but have never heard of Charley Chase? Please do educate us.Charley Chase was a director and employee of the Hal Roach studio who was tapped to star in two-reelers when Harold Lloyd left the studio. His stuff is as good as any of the other silent stars; I suspect that his obscurity is due to his stuff being unavailable for whatever reason. I hadn't heard of him either until Mark Evanier plugged a great DVD of Chase films. Of the Chase films being shown, I can vouch for Mighty Like a Moose (that film that had the obscure Mussolini joke that I asked about) and Long Fliv the King (a princess who must marry to become queen marries a condemned man who is later pardoned; features a Jewish peddler as his sidekick). The few Fatty Arbuckle films I've seen have been entertaining; it's not like the reasons for his career ending were related to film quality. Arbuckle gave Buster Keaton his start and Keaton shined so seeing the one with Keaton isn't a bad choice if you can only watch one. Harold Lloyd's good in anything. Safety Last! is the one with the clock. Harold Lloyd's World of Comedy is obviously a clip film but I don't how good of one; I'm not a fan of those myself. April 6th has four great Preston Sturges movies. Any one of them is good but my favorite is Miracle of Morgan Creek. TCM has it filed not under Preston Sturges but under Screwball Comedy Classics; this is appropriate since it's one of the best screwball comedies. The two Capra pictures are good also but missable. Same with a couple of Cary Grant movies mixed in that day. April 8th is the Marx Brothers Day. You can safely ignore the morning's and early-afternoon flicks. Those consists of three pictures at the ebbing of their career, a shoehorning of the Brothers into an adaptation of a play, and Coconuts, their first movie which is decent but suffers from the fact that a satire of the 1920's Florida land boom not having the same zing today as it did in 1929 plus trouble due to working out the kinks of those new-fangled talkies. Anything else being run that day is a gem. A Day at the Races and A Night at the Opera are a little more plot-heavy than the other pictures because apparently chicks like that sort of thing (and indeed they made more than the other pictures). Animal Crackers is obviously my favorite, more for sentimental reasons albeit. Since I have all the Brothers Marx movies on DVD, I may check out the Olsen & Johnson flicks running that day, intrigued as I am by this article and this one. Although probably the movies being played aren't their best efforts. # | |
Posted by Daniel Frank at
9:13 AM
But what Laurel & Hardy movies should I be aiming for? Which is the funny Chaplin, and which is the sentimental drek? I'm guessing that I want to see "Coney Island" as the pinnacle of Fatty Arbuckle, or am I just being impressed by Keaton's presence in the movie? Which Ealing Studios movies are the least dated? To make this stuff more readable, I'm going to do a post for every week in April. First week is April 1st and the Laurel & Hardy day. I'm not a huge expert on Laurel & Hardy since when I got interested in them is around when their stuff stopped showing up on TV. Sons of the Desert and Way Out West (which features James Finlayson doing a pre-Homer Simpson "D'oh!") are good and considered their best features and The Music Box is a classic. Mark Evanier liked Beau Hunks, Pack Up Your Troubles, The Devil's Brother, and Blotto; you can check out his views on all films L&H here. Kind Hearts & Coronets, the only Ealing film they're running this month, is a funny film featuring Alec Guiness in seven roles. It appears to be the 2 AM film of the first three Fridays of the month so you can even figure out which week is best for you. # | | Tuesday, March 29, 2005
Posted by Daniel Frank at
5:55 PM
I link to this article due to this comment: If the "conscience law" passes, I plan to convert to Christian Science, get a pharmacology degree, land a job, and then insist that my conscience forbids me to give out ANY medication at all. # | |
Posted by Daniel Frank at
5:26 PM
UPDATE:And appropriately for this blog, one of the stories in the anthology is "Why a Duck?" # | |
Posted by Daniel Frank at
3:31 PM
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Posted by Daniel Frank at
3:20 PM
In a recent post, he discusses a new network which runs reruns of I, Spy and the two U.N.C.L.E. (Man From and Girl From) shows and makes fun of Culp's reference to the I, Spy team as "Culp and Cosby". An actor being assured that he's the star of a TV show and being outshined by a lesser-known actor in popularity is a common occurrence. And there's a spectrum of how well the lead handles this with Shatner-Nimoy at one end and Howard-Winkler at the other*. In Culp's defense, the straight man usually gets top billing in comedy team names. In a just universe, the popularity of Culp and Cosby would have been rivaled only by that of Arkin and Falk. Maybe if they had kept Hickey and Boggs, the team would have had a long career. Or Robert Culp is just delusional. *I am assuming Ron Howard handled the Fonz becoming the star of Happy Days with class; I could just be ignorant of back-stage shenanigans at that show. # | | Thursday, March 24, 2005
Posted by Daniel Frank at
10:15 PM
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9:58 PM
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9:48 PM
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Posted by Daniel Frank at
9:41 PM
Well, buy one of Mr. Lesko's books and he'll tell you how to get FREE MONEY FROM THE GOVERNMENT to buy the car. # | | Wednesday, March 02, 2005
Posted by Daniel Frank at
8:40 AM
In other Defamer news, my brother gets a Defamer link before I do. Well, I know what I need to do: get linked by Judge Posner's blog before my brother does. # | |
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