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Thursday, June 24, 2004
Posted by Daniel Frank at
4:06 PM
Remember when Bradbury learned that EC was doing unauthorized adaptations of his stories? His reaction was to praise the job they were doing.That doesn't appear to be the entire story. The consensus on the 'Net is that after Bradbury found out about EC swiping his stuff, he started getting paid (although it's not clear if EC did more adaptations or if Bradbury contributed original stuff for EC). It's also not clear if he was retroactively paid for the stuff they swiped or what would have happened if they didn't take him up on his offer of contributing to future issues. The book Bradbury, an Illustrated Life apparently has correspondence between Ray Bradbury and William M. Gaines and may be worth looking into. Another Bradbury-getting-stolen-from story was told in a documentary of Ray Harryhausen. Bradbury was approached to write a movie. The producer told him that he swiped the plot from a story in a pulp magazine. As you can probably guess, Bradbury was the author of that story. He was sent a check a couple of weeks later. # | |
Posted by Daniel Frank at
3:08 PM
# | | Monday, June 21, 2004
Posted by Daniel Frank at
7:36 PM
One thing that dates the show are commercials for variety shows starring non-entertainer celebrities (Gene Shalit, some Russian weightlifter). The variety show format has essentially died, partially because it was used by the networks to exploit celebrities that the network didn't know what to do with. Interesting fact learned from commentary: Bobby Bitman's "How are ya?" was a goof on Marty Allen's catchphrase "Hello dere". And volume 2 is scheduled for October! # | |
Posted by Daniel Frank at
7:12 PM
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Posted by Daniel Frank at
7:03 PM
They do what they do for money - that's all. I don't even know why you're listening to me. I've done commercials for both Coke and Pepsi. Truth is, I can't even taste the difference, but Pepsi paid me last, so there it is. # | | Monday, June 14, 2004
Posted by Daniel Frank at
3:01 PM
They actually get right an important thing that I was convinced Hollywood would mess up. Specifically, when I first moved to LA, it was announced there was going to be a Spy vs. Spy movie (I can prove it too). As an intellectual exercise, I imagined how I'd pitch trying to get the gig to write the movie. How the movie would likely be screwed up: The temptation would be great to make one spy the cool, hip spy, the one the audience should side with. Part of the humor of the cartoon was that the spies were essentially indistinguishable (a view I suspect Antonio Prohias did not feel about the Cold War what with nearly being jailed by Castro). The plot of my version would have both Spies after a MacGuffin, let's say the Potrzebie Device built by Dr. Roger Kaputnik. They would fight each other in increasingly elaborate schemes to get their hands on it and swipe it from the other. Ideally the number of victories for each would be equal. The movie would end with the grey-checkered spy getting the jump on both and saving the Potrzebie device for America. # | |
Posted by Daniel Frank at
2:48 PM
# | | Friday, June 04, 2004
Posted by Daniel Frank at
4:32 PM
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Posted by Daniel Frank at
4:31 PM
# | | Thursday, June 03, 2004
Posted by Daniel Frank at
6:30 PM
Rather than see this film, a better use of your ten bucks would be to buy Harlan Ellison's I, Robot screenplay adaptation from an attempt to film the stories in 1977. # | |
Posted by Daniel Frank at
6:13 PM
Similarly Jim judges David Cross for doing crappy movies when the thread he cites (an interesting one where Patton Oswalt defends himself and Odenkirk for "selling out" and gets in a plug for Sierra Mist while he's at it) notes that Cross was hoping to get a movie greenlighted by the same studio. During the Carlin discussion, somebody quoted a Bill Hicks bit where he rants that comedians shouldn't do commercials. I replied that I wish he had a rule that comedians shouldn't drown out the comedy in their comedy albums with bad guitar music. # | |
Posted by Daniel Frank at
5:42 PM
FRANKIE: So what did you think of Run, Ronnie, Run?[Disclaimer: I've been a fan of Bob Odenkirk since '92.] # | |
Posted by Daniel Frank at
12:07 AM
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Posted by Daniel Frank at
12:03 AM
"It started when we got snuck a script of The Day After Tomorrow, that Roland Emmerich movie about how global warming causes an ice age in two days," says Stone. "It's the kind of script where you know it's going to make hundreds of millions of dollars, which makes it the greatest dumb script ever." # | |
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